ALEJANDRO Monteverde, the director of the blockbuster Sound of Freedom, is back at it again — this time telling the inspiring story of the work Mother Cabrini undertook to protect impoverished children in New York City.
Monteverde’s new film, Cabrini, tells the true story of Francesca Cabrini – also known as St Frances Xavier Cabrini – and was released by Angel Studios on International Women’s Day, March 8.
Cabrini takes place in 1889 when hostility toward Italian immigrants ran high in New York.
As an Italian immigrant, Cabrini was greeted by not only hostility but also crime, disease, and dangerous living conditions, especially for orphaned children.
She and her religious sisters – of the Missionary Sisters of the Sacred Heart of Jesus – set out on the dangerous mission to provide housing and education for society’s most vulnerable.
Monteverde spoke with CNA about the impact that directing this movie had on him and why he felt it was important to share Cabrini’s powerful story.
The filmmaker admitted that he was not interested in making the movie when he was first contacted about it by his mentor, Eustace Wolfington, the executive producer of the film.
“Before I read the script, I was already in my head saying, ‘I’m not going to do this movie’,” he said.
“I’m a practicing Catholic but I like to make movies that are very entertaining, and in my head I was like, ‘How could you make an entertaining movie about a nun?’”
However, while reading the script, he said a line that Cabrini says spoke to him “very directly: “You can serve your witness. Or you can serve your purpose. You can’t serve both.”
“Right there, she got me,” Monteverde said.
“I was like, ‘Wow, this is a woman that speaks with conviction. With power.’”
“I kept reading and realised that this was a universal story about a woman who happens to be a nun, who happens to be a saint, but what she was fighting for is something that can unite the entire world.”
The movie has a pro-woman theme throughout its entirety.
Monteverde said he wanted to “celebrate the power of a woman in the most iconic way, (and) what better way than the life of a saint because she will be celebrating the power of the true woman — the woman that lives for others, that cares for those who have no dignity.”
He said when many thought of the word “power” they think of either being financially or politically powerful.
However, for him, he said, he thought of his mother.
“She was an incredible mother to me and that requires great power,” he said.
“For those who are mothers understand — motherhood is a powerful calling.”
Monteverde also pointed out the fact that Cabrini was the first woman to lead a mission overseas, one in which no men were involved.
“So she found herself as an immigrant in a country that was completely controlled at that time by men,” he said.
“So I knew that was going to be one of the biggest giants she was going to face.
“She was going to have to fight men as a woman, but not fight for herself.
“That’s the beauty of the film. It was not a battle that she wanted to enrich herself. It was a battle to enrich others, but most importantly to enrich those (whom) I call the forgotten ones. And we have a lot of forgotten ones today.”
The film’s release date happened to fall on International Women’s Day, on March 8.
The film was set to come out earlier, but the success of Sound of Freedom caused the release date of Cabrini to be pushed back.
“I do think there was divine orchestration,” Monteverde said.
“Albert Einstein, in one of his last quotes, said, ‘God hides in the coincidences.’ So, it was a great coincidence that we were able to jump on that boat.”
Another “big connection” to Cabrini for the filmmaker was the fact that he too came to the US as an immigrant — from Mexico.
“I also came here with nothing. I didn’t speak English. I didn’t have any money. I started, the typical cliche, I started washing dishes because you don’t need to speak English to wash a dish,” he said.
“I went to school, I educated myself, and it was a journey.”
Monteverde emphasised that “this movie is not about immigration because that’s political; this movie is about caring for the immigrant. And that’s a big difference.”
The film has already been screened several times and Monteverde shared that audiences had left with a “desire to fight whatever fight that they are currently going through”.
“I have heard so many people that leave inspired to go back and face things that they could have already given up,” he said.
“Movies don’t change the world, (but) movies can transform. This is a transformative film in many ways. It transforms people and the people are the ones that change the world.”
CNA
