THE BOOK OF LIFE: Starring (voices of) Diego Luna, Zoe Saldana, Channing Tatum, Ron Perlman, Christina Applegate. Directed by Jorge R. Gutierrez. Rated PG (Mild themes and animated violence) 95 minutes.
By Joseph McAleer
WHO knew the Day of the Dead could be so much fun? The Mexican method of observing All Souls’ Day, November 2, is the backdrop for The Book of Life, an entertaining and visually stunning 3D animated film.
Traditionally on this feast day, families visit cemeteries to place gifts by the gravesides of their departed loved ones in a spirit of remembrance.
Although the practice is Aztec in origin, its intentions correspond with Catholic teaching, which encourages prayer for the souls of the deceased.
In popular culture, the Day of the Dead has often morphed into a Halloween-like party with multi-coloured skulls and imagery bordering on the diabolical.
Fortunately, this is not the case in The Book of Life.
Instead, director and co-writer (with Douglas Langdale) Jorge R. Gutierrez uses the observance to highlight the enduring bonds of family.
Yes, dancing skeletons abound, and there are mythological aspects to the plot that might call for discussion with impressionable youngsters.
But this is, in essence, a harmless fairytale.
At its core, The Book of Life is a love story, told to school children on a museum visit by one of the institution’s guides, Mary Beth (voice of Christina Applegate).
She uses wooden dolls that spring to life to enact her yarn.
In the Mexican village of San Angel, best friends Manolo (voice of Diego Luna) and Joaquin (voice of Channing Tatum) have been in love with the same woman, Maria (voice of Zoe Saldana), since childhood.
Manolo is a reluctant bullfighter, forced into the ring to uphold his family’s proud tradition.
A gentle, sensitive soul, Manolo would rather make beautiful music with his guitar – and with Maria.
He woos her with a surprising playlist that includes covers of Elvis Presley and Rod Stewart.
Joaquin, on the other hand, is a puffed-up macho soldier, struggling to live up to his own family line of fierce warriors.
Unbeknownst to Manolo, Joaquin has a secret weapon: a medal which makes him invincible.
This charm was given to him by the god Xibalba (voice of Ron Perlman), the ruler of the desolate Land of the Forgotten, a purgatory-like underworld populated by the spirits of those who have no one to pray for them.
Xibalba longs to escape his realm. So he makes a wager with his estranged wife, the goddess La Muerte (voice of Kate del Castillo), overseer of the heaven-like Land of the Remembered.
The bet centres on Maria. If she chooses Joaquin as her mate, La Muerte will, reluctantly, swap positions with Xibalba.
Since Xibalba has stacked the deck in favour of Joaquin, things look bad for La Muerte and Manolo.
But several twists and turns are in store as the action shifts back and forth among the three worlds.
Although The Book of Life is a fantasy and does not espouse a particular religion, it does include among hundreds of background characters a (presumably Catholic) priest and a trio of nuns.
Their depiction is, however, perfectly respectful.
Parents should be advised that, while the tone is light and the action slapstick, there are several dark moments which may frighten younger viewers.
In the end, Catholic moviegoers will concur with the script’s lesson about honouring the dearly departed: “As long as we remember, they are always with us.”
The film contains non-scriptural religious themes, some mildly scary sequences, occasional bathroom humour and a few very mild oaths in Spanish.
Joseph McAleer is a guest reviewer for Catholic News Service.