THE OTHER WOMAN: Starring Cameron Diaz, Lesley Mann, Nikolai Coster-Waldau, Don Johnson, Kate Upton. Directed by Nick Cassavetes. 109 minutes. Rated M (Sexual references, coarse language and mature themes).
Reviewed by John Mulderig
WHEN a screenwriter’s armoury of jokes is so depleted that a large dog having a visible accident qualifies as a sight gag, moviegoers of taste will want to steer clear.
And so they should in the case of the crass comedy The Other Woman .
Director Nick Cassavetes’ mostly pedestrian ensemble piece is a tale of revenge directed against philandering husband – and conniving New York businessman –Mark King (Nikolaj Coster-Waldau).
When Mark’s unsuspecting mistress, hard-bitten lawyer Carly (Cameron Diaz), discovers the existence of his equally unwitting but more fragile wife, Kate (Leslie Mann), their shared outrage forms the basis for an unlikely friendship.
The circle of hard-done-by womanhood is further extended when Carly and Kate begin spying on Mark and discover that he has another paramour stashed away in the Hamptons, a goodhearted but not overly intelligent bikini-filler by the name of Amber (Kate Upton).
Unlike Carly, we learn, Amber knew Mark was married but was told that he was in the process of divorcing the supposedly unfaithful Kate.
As Carly finds fresh romance with Kate’s brother, Phil (Taylor Kinney), the trio of newfound pals plots to deliver Mark his comeuppance.
Along the way to their inevitable triumph, the humour in Melissa K. Stack’s script plays on a range of distasteful subjects – from intimate personal hygiene to the effect of lacing Mark’s cocktail with a powerful laxative.
And marital fidelity takes a hit as a result of Mark’s unrelenting sleaziness and dishonesty, qualities that make Kate’s readiness to jettison him all too easy to understand.
The opening scenes, which chart Mark and Kate’s initial fling, also reveal some distorted underlying values.
Thus the pair comes home from their first date already fumbling to undress.
Mark pauses long enough to suggest that, since they’ve just met, they might want to talk and get to know each other before committing sin.
But Kate’s agile legal mind quickly produces a counterproposal: They can talk later.
The film contains an adultery theme, pervasive sexual and much scatological humour, a couple of uses of profanity and frequent crude and crass language.
John Mulderig is on the staff of Catholic News Service.