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A spirit of self-sacrifice

EDGE OF TOMORROW: Starring Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson. Directed by Doug Liman. 114 minutes. Rated M (Science fiction violence and infrequent coarse language).

By John Mulderig

THE coward dies a thousand deaths, the brave but one.

That boiled-down version of a duo of lines from Shakespeare’s tragedy Julius Caesar – quoted in its more compact form by Ernest Hemingway in his novel “A Farewell to Arms” – applies in spades to the protagonist of the intriguing sci-fi action epic “Edge of Tomorrow”.

In fact, thanks to this satisfying film’s central plot device, it’s hard to imagine that anyone has ever undergone the multiple demises due the lily-livered quite so literally.

The cringer in question is Army public relations officer Major William Cage (Tom Cruise).

Even as Earth has suffered the devastating worldwide invasion by murderous aliens sketchily outlined for us by the opening scenes, Cage has kept to the sidelines.

He’s more comfortable serving as a spokesman for the armed forces – on CNN, for instance – than fighting with them.

So when General Brigham (Brendan Gleeson), the commander-in-chief of an impending D-Day-like attack designed to liberate continental Europe from its extraterrestrial occupiers, informs Cage that he’s going to be embedded with the frontline troops of the operation, Cage baulks.

Self-sacrifice: Emily Blunt and Tom Cruise star in a scene from the movie Edge of Tomorrow. Photo: CNS

Self-sacrifice: Emily Blunt and Tom Cruise star in a scene from the movie Edge of Tomorrow. Photo: CNS

Insubordination gives way to a clumsy attempt to blackmail his superior, after which Cage finds himself arrested, summarily reduced to the ranks and placed as squarely in harm’s way as the lowliest recruit.

As if to confirm Cage’s worst fears, the vast assault quickly degenerates into a rout.

But the unwilling warrior’s seemingly fatal encounter with the enemy has an amazing outcome.

It results, not in death, but in his being caught up in a time warp within which he’s forced to live out the day preceding the doomed landing over and over again.

Though initially baffled, Cage eventually makes contact with someone else who has experienced this weird phenomenon: skilled Special Forces operative – and celebrated war hero – Sgt Rita Vrataski (Emily Blunt).

Through being temporarily trapped in a similar chronological loop to Cage’s, Vrataski was able to foresee her adversaries’ battlefield actions, having witnessed them before.

She used this windfall of intelligence to win a high-profile but temporary victory over the vicious creatures.

Despite repeated scenes of battlefield chaos, director Doug Liman’s 3-D adaptation of Hiroshi Sakurazaka’s teen-targeted novel “All You Need Is Kill” mostly shields viewers from gore.

The leads, meanwhile, are too distracted by their military mission to express their mutual attraction in any but the most restrained of ways.

In fact, a single joking exchange aside, their relationship – marked, on both sides, by a spirit of self-sacrifice – might have featured in a movie from Hollywood’s golden age.

Thus the brief kiss they share at a climactic moment packs quite an emotional wallop.

Only the salty language predictably exchanged between barracks mates really bars endorsement for a youthful audience.

John Mulderig is on the staff of Catholic News Service. 

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